Ballad singing has long been one of the most powerful expressions of Scottish culture. For hundreds of years, women in Scotland have sung of heroines who are strong, arrogant, canny—the very opposite of the bourgeois stereotype of the good, maternal woman. In Weep Not for Me, Deborah Symonds explores the social world that gave rise to both the popular ballad heroine and her maternal counterpart. The setting is the Scottish countryside in the eighteenth century—a crucial period in Scotland’s history, for it witnessed the country’s union with England, the Enlightenment, and the flowering of letters. But there were also great economic changes as late-feudal Scotland hurried into capitalist agriculture and textile production. In the ballads, marriage is rare and lovers murder each other, haunted by premarital pregnancy, incest, and infanticide, while relatives argue over dowries.
They also run regular sessions for their members inviting speakers to discuss issues that are important to them, including women being exploited through prostitution. Contributing to shifting the focus of political discussion about the sex and gender debate in Scotland onto women and their interests. Sole Sisters’ purpose is to protest the GRA reform in Scotland and to fight to uphold sex-based rights as a protected within the Equality Act 2010. At a more popular and functional level, jewelry and textiles sustain artistic traditions that often allude to Pictish and Celtic design themes. Major art colleges provide support, particularly in the area of textiles. Stylized animals and objects in bas relief on Pictish symbol stones mixed with the curvilinear designs of Celtic Christianity in the first millennium C.E. French and Flemish influences appear in medieval church sculpture.
- The Highlands were treated by British and Scottish Lowland authorities as a culturally backward internal colony.
- The crime of homicide has long been set apart within the annals of penal history.
- Gaelic literature derives from bardic verses celebrating heroes and political leaders.
- Close up of slimy seaweed on wet pebbles with a female hiker in…
To enhance this argument the chapter will be structured as follows. It will first investigate the women capitally convicted for the crime of homicide. From a reading of the valuable information offered in the court records and in the newspapers, it will examine the importance of the victim, and the motive and method of killing in shaping responses to these women. The second section will provide an in-depth exploration of the crime of infanticide as, in over two thirds of the total homicide cases that resulted in a capital conviction, the victim was the woman’s own child. Again, the crime has gender-specific resonances and an exploration of these cases can be used as a lens into wider issues surrounding motherhood and illegitimacy. The third and final section of the chapter will provide an examination of the punishment of women convicted for property offences in this period.
The State of the Physical and Social Sciences
In 1952, Anne Redpath was the first female painter to be elected an Academician of the Royal Scottish Academy. After 1954, Joan Eardley spent increasing amounts of time in the Scottish coastal village of Catterline, which inspired her celebrated land- and seascapes. Ann Henderson embarked on a distinguished career as sculptor and teacher, whilst Hannah Frank turned to sculpture at the age of forty-four, having established a reputation as a draughtswoman; meanwhile Pat Douthwaite and Bet Low began to make their mark.
On This Day: Happy birthday, Ross Taylor
The development of Gaelic communities in the major cities, particularly Glasgow, around 1870–1914 stimulated check here https://countrywaybridalboutique.com/european-women-features/scottish-women-features/ new linguistic and literary awareness. Funerary practices normally involve a simple ceremony of blessings and remembrance by family members and friends in a chapel or funeral parlor, leading to interment or cremation. Until recently, women did not go to the gravesite, and in some parts of the western Highlands and Islands the postburial mean can still become an extended alcoholic ritual. Although mainstream church attendance is in decline, Scotland bears the impress of its Protestant history.
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Those concerned solely with Scotland are now accountable to the Executive of the new Parliament, while most cross-border public bodies are accountable to both the Scottish and UK parliaments. Most have executive or advisory functions, often linked to the National Health Service. Those responsible for local spending are concerned with education, local enterprise, and housing.
The Glasgow School of Art was founded in 1845 and Edinburgh College of Art was founded in 1908. Some Scottish women artists travelled to Paris where the training available was more progressive than at home, not least in permitting women to the Life Class, where models of both sexes posed in the nude to allow the study of the human figure. The first society in Scotland devoted specifically to the professional status of women artists was the Glasgow Society of Lady Artists, founded in 1882, whilst the Edinburgh Ladies’ Art Club was formed in 1889. In 1885 Sir William Fettes Douglas, President of the Royal Scottish Academy, declared that the work of a woman artist was ‘like a man’s only weaker and poorer.’ In the same year, Fra Newbery was appointed https://somamarmoraria.com.br/the-impact-of-conditional-cash-transfers-on-marriage-and-divorce/ Director of the Glasgow School of Art and did much in terms of gender equality amongst his staff https://2020trumpmall.com/2022/12/24/responsibilities-of-romanian-bridal-party-who-does-what/ and pupils. Between then and the death in 1965 of Anne Redpath, the doyenne of post-World War Two Scottish painting, an unprecedented number of Scottish women trained and practised as artists; this exhibition focuses on paintings and sculptures made by forty-five of them. Note that this percentage is based upon the figures for the whole of Scotland across the period between 1740 and 1834.
The images of the Scottish thistle, the lion rampant, and the Saint Andrew’s cross on the national flags come from that period. Symbols that evoke the past of the Highlands include the system of clan tartans and bagpipes.
The women in this study lived and died in a period when hopes of marriage and landholding were replaced by the reality of wage labor and disintegrating households. Following the capital conviction of Jean Lindsay and Henrietta Faulds for theft in 1784, petitions sent from Glasgow stated that thousands of its inhabitants wished for the extension of mercy and begged for the assistance of the Lord Advocate in securing a pardon.77 Despite their efforts Jean was executed.
